FACTS ABOUT JOKER REVEALED

Facts About joker Revealed

Facts About joker Revealed

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悪戯とは知らずにブラントを口論の末に殺害してしまったという思い込みを利用され、D機関の策略とキャンベルにより偽の犯人に仕立てあげられる。

監視對象竟然死在自己眼前,對D機關成員而言是前所未有的失敗。他該如何找出兇手,一雪前恥?

英国陸軍中佐。顔に大きな傷がある。英国諜報機関の指揮官(スパイマスター)で、過去に結城と面識がある。

Critics noted that the film was a piece of metafiction designed to deliberately antagonize audiences who were being admirers of the 1st film. Rather then capitulating to anticipations on the predecessor's fanbase that Arthur would completely embrace his Joker persona and go on to be Batman's archenemy, the film serves to rebuke people who idolized the character in the Joker. As a deliberate anti-audience effort and hard work, the movie pushes against the notion of enthusiast provider, alternatively creating a self-informed narrative That may be a commentary By itself existence.[file] The film functions off-crucial musical sequences that contrast with admirer expectations pursuing the first movie, for the duration of one this sort of scene Joker acknowledges, "I do not Assume we are giving the folks what they want".

Try to find a pair of matching tiles and click each to remove it. As soon as you clear away all pairs and crystal clear the board you clear up the mahjong solitaire!

伊沢は隙を突き脱出を試みるが、マークスの罠にかかり追い詰められてしまう。しかし、伊沢は英国諜報機関に潜入していたスリーパーに助けられ、脱出に成功した。手筈通りの場所に向かうとD機関の協力者が待っており、伊沢は次の任地であるヨーロッパに向かった。伊沢は移動中の車の中で、結城から受け取った『ロビンソン・クルーソー』に登場する「フライデー」という人物のことを思い出していた。それは、スリーパーの暗号名だった。

[14] Gaga felt Lee to joker369 be a "examine of contradictions", as her like and obsession for Arthur is usually admiration and disgust, currently being both truthful and dishonest, actually perilous still fully peaceful, deeming Lee a "pretty nonlinear human being" like Absolutely everyone associated with storytelling and wondering she was the "extra real" the "extra she could possibly be a contradiction".[fifteen]

D機関のメンバー。殺されたラーキンの自室のドアチェーンに細工を施し、その後《葡萄と羽根亭》でヴィンターにトリックに関する用語を意識下に刷り込ませる。

元英国海軍准将。「ラッフルズ・ホテル」の宿泊者。キャンベルにブラントの悪ふざけ振りと、口論相手のパーカーについて教える。

[134] Eventually the metafiction demonstrates Arthur's characterisation; equally as his Modern society only cares for him for what he signifies as being the Joker and rejects him when he renounces that persona, so way too does the viewers reject Arthur.[one hundred thirty five] Due to this fact, many felt the film being a "really costly punch line" for the same audiences who saw the primary movie.[34]

有崎晃(有崎晃,配音:堀內賢雄(青年時代)、日野聰(學生時代)、高宮彩織(日语:高宮彩織)(兒童時代))

[c][47] Phillips's purpose to the movie was to make it come to feel like it had been produced by "nuts men and women", but struggled with referring towards the movie for a "musical", because the film lacks regular musical figures, and the majority of the new music is made up of dialogue, with songs like "Get Pleased", "For The moment in My Lifestyle" and "That is Life" currently being played when Arthur are not able to pronounce the text he would like to say, with those music conveying the emotions Arthur Fleck and Harley Quinn experience with whatever they seek inside their associations, with the former remaining drawn to passionate ballads as well as the latter preferring new music about electricity.[14]

D機関のメンバー。美術商を装いドイツ内でスパイマスターをしていた。引き継ぎ情報を手渡し終えた矢先、列車事故で身体を鉄骨に貫かれて死亡する。

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